Eleven years after Citylights’, Hansal Mehta reflects on a film about India’s invisible migrants, the collaborators who shaped it and the director’s cut that never found its audience – The Tribune
'Citylights' is Mehta's ode to the invisible people — those who populate the pavements we often glimpse from our moving cars. The filmmaker zooms in on the life of one such family, drawing us into their world with such intensity and compassion that we can scarcely bear to leave it, even when their lives become unbearably painful. 'Citylights' possesses a…
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